Tid, by Letters from Sweden and Stefania Malmsten, is an interpretation of The Best Typeface in the World, a typeface and an idea that Göran Söderström and Stefania have both been obsessed with throughout their working lives. The first iteration of Tid was introduced during Moderna Museet’s extensive exhibition with Laurie Andersson in the spring […]
Tid, by Letters from Sweden and Stefania Malmsten, is an interpretation of The Best Typeface in the World, a typeface and an idea that Göran Söderström and Stefania have both been obsessed with throughout their working lives. The first iteration of Tid was introduced during Moderna Museet’s extensive exhibition with Laurie Andersson in the spring
Tid, by Letters from Sweden and Stefania Malmsten, is an interpretation of The Best Typeface in the World, a typeface and an idea that Göran Söderström and Stefania have both been obsessed with throughout their working lives. The first iteration of Tid was introduced during Moderna Museet’s extensive exhibition with Laurie Andersson in the spring
Tid, by Letters from Sweden and Stefania Malmsten, is an interpretation of The Best Typeface in the World, a typeface and an idea that Göran Söderström and Stefania have both been obsessed with throughout their working lives. The first iteration of Tid was introduced during Moderna Museet’s extensive exhibition with Laurie Andersson in the spring
“The world has already been filmed. The point now is to change it.“ La Société du Spectacle, an adaption of 27 paragraphs from the book by Guy Debord about hyper-consumerism and capitalist image creation, published in 1967 but more relevant than ever. Directed by Roxy Farhat (who has also created animated vignettes for the film)
“The world has already been filmed. The point now is to change it.“ La Société du Spectacle, an adaption of 27 paragraphs from the book by Guy Debord about hyper-consumerism and capitalist image creation, published in 1967 but more relevant than ever. Directed by Roxy Farhat (who has also created animated vignettes for the film)
With the release of Daughters of the Dust in 1991, Julie Dash was the first female African-American director to receive theatrical distribution across the USA …
Adidas is the main sponsor of Stockholm Marathon and for the second time they’re paying tribute to the runners in the form of a magazine that is handed out to all participants when they collect their number bib. This issue focuses on running as the most democratic sport of all. It features portraits of people
Listening, language and telling stories are essential parts of pop star and artist Laurie Anderson’s work. Looking into a Mirror Sideways at Moderna Museet is her largest solo show to date in Europe. It presents a narrative of time, place and existence with brand new, site-specific productions along with earlier work: innovative musical instruments, sound
Listening, language and telling stories are essential parts of pop star and artist Laurie Anderson’s work. Looking into a Mirror Sideways at Moderna Museet is her largest solo show to date in Europe. It presents a narrative of time, place and existence with brand new, site-specific productions along with earlier work: innovative musical instruments, sound